In 1955, Paramount News, “the eyes and ears of the world”, projected in movie theaters around the United States images of a plane landing in Puerto Rico carrying 2 tons of snow and a family from New Hampshire, and of the thousands of young people that received them in a baseball field. These 40 seconds of film are possibly the only surviving audiovisual document of an event that persists as a foggy memory in the conscience of most Puerto Ricans. Rain with Snow is a double projection that tries to visualize the ideological production processes behind these images, zooming in, stretching out and manipulating the last cinematic vestige of this moment. Through editing, intentions are subverted and new meanings are uncovered which were repressed in the construction process that trivialized this event to turn it into easily digestible information.