The End of Cinematics

The End of Cinematics

Release date : January 1, 2002
Runtime : 1h 10m
Countries of origin : France / United States of America /
Original Language : English /
Director : Mikel Rouse /
Production companies : EXITMUSIC Studios / The Brooklyn Academy of Music /
January 1, 2002 1h 10m France Music English More
0
User Score

Overview

Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
More »

Top Billed Cast

More

Images

View All Images

Recommendations

More
Captain America: Brave New World
Thriller Action Science Fiction
Nosferatu
Horror Fantasy
Wolf Man
Horror Thriller
Wicked
Drama Romance Fantasy
La Dolce Villa
Romance Comedy
The Substance
Horror Science Fiction
Sonic the Hedgehog 3
Action Science Fiction Comedy Family
Anora
Drama Comedy Romance
Moana 2
Animation Adventure Family Comedy
Kinda Pregnant
Comedy Romance
Beating Hearts
Romance Crime Drama
Conclave
Drama Mystery Thriller
Ne Zha 2
Animation Fantasy Adventure
Ne Zha
Animation Fantasy Adventure
Flow
Animation Fantasy Adventure
  • title:The End of Cinematics
  • status:Released
  • Release date: 2002
  • Runtime:1h 10m
  • Genres: Music · Drama ·
  • Countries of origin: France · United States of America ·
  • Original Language: English ·
  • Director: Mikel Rouse /
  • Writers: Mikel Rouse · Mikel Rouse · Mikel Rouse ·
  • Production companies: EXITMUSIC Studios · The Brooklyn Academy of Music ·
  • Overview:Drawing on the richness of the good old days of cinema with live music and a thoroughly modern, “hyper-real” film experience with multiple screens and surround sound, The End of Cinematics examines the 21st-century phenomenon of viewing media content in fragmented form. From channel surfing to MTV to formulaic Hollywood films and sitcoms, we’re accustomed to—and adept at—filling in the details of storylines, of grasping an idea and determining its conclusion.
Search history
delete
Popular search