1-2-3

1-2-3

Release date : May 26, 2020
Countries of origin :
Original Language :
Writers :
Production companies :
May 26, 2020 More
6.4
User Score

Overview

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
More »

Top Billed Cast

More

Images

View All Images

Recommendations

More
Afonya
Drama Comedy Romance
Finnick
Comedy Adventure Animation Fantasy Family
Parasite
Comedy Thriller Drama
Highlander
Adventure Action Fantasy
Spider-Man: Across the Spider-Verse
Animation Action Adventure Science Fiction
Barbarella
Science Fiction Adventure Comedy Fantasy Action
Godzilla vs. Mechagodzilla
Action Adventure Science Fiction
Star!
Drama Music Romance
  • title:1-2-3
  • status:Released
  • Release date: 2020
  • Genres:
  • Countries of origin:
  • Original Language:
  • Director: Kirstin Burckhardt / Brenda I. Steinecke Soto /
  • Writers:
  • Production companies:
  • Overview:How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Search history
delete
Popular search