Bezhin Meadow: Sequences from an Unfinished Film

Bezhin Meadow: Sequences from an Unfinished Film

Release date : March 4, 1968
Runtime : 31m
Countries of origin : Soviet Union /
Original Language : Russian /
Director : Sergei Eisenstein /
Production companies : State Cinematography Department /
March 4, 1968 31m Soviet Union Drama Russian More
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Overview

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.
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Viktor Kartashov
Stepok (as Vitya Kartashov)
Boris Zakhava
Samokhin, Stepok's Father
Pyotr Arzhanov
Political Commissioner (as Pavel Ardzhanov)
Yekaterina Teleshova
President of Kolkhoz
Nikolai Maslov
Arsonist

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  • title:Bezhin Meadow: Sequences from an Unfinished Film
  • status:Released
  • Release date: 1968
  • Runtime:31m
  • Genres: Drama ·
  • Countries of origin: Soviet Union ·
  • Original Language: Russian ·
  • Director: Sergei Eisenstein /
  • Writers: Ivan Turgenev · Alexandr Rzheshevsky · Sergei Eisenstein · Isaak Babel ·
  • Production companies: State Cinematography Department ·
  • Overview:Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.
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