The Natural Son

The Natural Son

Release date : March 11, 1959
Runtime : 1h 47m
Countries of origin : Hong Kong /
Original Language : Cantonese /
Director : Chor Yuen /
Writers : Luk Mei / Chor Yuen /
Production companies : Kong Ngee Motion Picture Production Company /
March 11, 1959 1h 47m Hong Kong Drama Cantonese More
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Overview

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
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Top Billed Cast

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Patsy Ka Ling
Fong Man-yu
Nam Hung
Fong Man-wai
Patrick Tse Yin
Chui Chung-ming
Kong Yat-fan
Mok Wai-sang
Keung Chung-Ping
Wan Sum-man
Wong Cho-San
Fong's father
Lee Yuet-Ching
Fong's mother
Yeung Yip-Wang
Mok's father
Ma Siu-Ying
Mok's mother

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  • title:The Natural Son
  • status:Released
  • Release date: 1959
  • Runtime:1h 47m
  • Genres: Drama · Family ·
  • Countries of origin: Hong Kong ·
  • Original Language: Cantonese ·
  • Director: Chor Yuen /
  • Writers: Luk Mei · Chor Yuen ·
  • Production companies: Kong Ngee Motion Picture Production Company ·
  • Overview:Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
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