Documentazione Della Settimana Internazionale Della Performance

Documentazione Della Settimana Internazionale Della Performance

Release date : February 21, 1977
Runtime : 18m
Countries of origin :
Original Language : Italian /
Director : Mario Carbone /
Writers :
Production companies :
February 21, 1977 18m Italian More
0
User Score

Overview

“Before the eyes of all, at least of those present, the naked and direct exhibitions of the body take place with all its extensions; but the naked eye of the spectators who circle is promptly doubled by the many mechanical or electronic eyes of the photographic equipment and of the 'cameras' which, with their clicks and their tenacious buzzing, form the background” Renato Barilli
More »

Top Billed Cast

More

Images

View All Images

Recommendations

More
Gladiator II
Action Adventure Drama
Sonic the Hedgehog 3
Action Science Fiction Comedy Family
Red One
Action Fantasy Comedy
Mufasa: The Lion King
Adventure Family Drama Animation
Carry-On
Action Thriller
Anora
Romance Comedy Drama
Kraven the Hunter
Action Adventure Thriller
Venom: The Last Dance
Action Science Fiction Adventure Thriller
The Substance
Horror Science Fiction Drama
Ferry 2
Crime Thriller Action
The Wild Robot
Animation Action Science Fiction Family
Wicked
Drama Romance Fantasy
Nosferatu
Horror Fantasy
Gladiator
Action Drama Adventure
Superman
Action Adventure Science Fiction Comedy Animation
Werewolves
Action Horror Thriller
Heretic
Horror Thriller
Moana 2
Animation Adventure Family Comedy
Deadpool & Wolverine
Action Comedy Science Fiction
  • title:Documentazione Della Settimana Internazionale Della Performance
  • status:Released
  • Release date: 1977
  • Runtime:18m
  • Genres:
  • Countries of origin:
  • Original Language: Italian ·
  • Director: Mario Carbone /
  • Writers:
  • Production companies:
  • Overview:“Before the eyes of all, at least of those present, the naked and direct exhibitions of the body take place with all its extensions; but the naked eye of the spectators who circle is promptly doubled by the many mechanical or electronic eyes of the photographic equipment and of the 'cameras' which, with their clicks and their tenacious buzzing, form the background” Renato Barilli
Search history
delete
Popular search