Blurring literary and cinematic boundaries in a filmic reflection on recognizing female authorship in art, filmmaker Maria Shuvanova draws from an intimate conversation and delivers an improvised monologue composed of coming-of-age art appreciation, personal revelations, political realizations, film history, and autotheory fluently coupled visually with creative interventions in film fragments and other works by experimental luminaries Marie Menken, Maya Deren, Germaine Dulac, Marguerite Duras and Chantal Akerman.
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