I LIKE TO DREAM: The True Story of Felipe Cardeña

I LIKE TO DREAM: The True Story of Felipe Cardeña

Release date : April 25, 2013
Runtime : 13m
Countries of origin : Italy /
Original Language : Spanish /
Director : Desiderio Sanzi /
Writers :
Production companies : ElectroWish Production /
April 25, 2013 13m Italy Documentary Spanish More
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I Like to Dream: The True Story of Felipe Cardeña (Short film), shot by the artist Desiderio, shows us Felipe, as a mime walking through the streets of Havana, through the cross-over testimonies of many people who knew or heard of him: street mimes like him, but also bartenders, street vendors, street people, as well as the famous Cuban writer Yoss, author of an essay on the artist. A hybrid film, halfway between the journalistic documentary and the dreamlike and symbolic reconstruction of the work of Cardeña, the film reconstructs Felipe’s passage through the streets of Havana, through witnesses, but also through Felipe’s performances (such as the large floral poster, with Che’s face, still hanging in a street in Old Havana), the suggestions of his works, his dreamlike atmospheres and colors.
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  • title:I LIKE TO DREAM: The True Story of Felipe Cardeña
  • status:Released
  • Release date: 2013
  • Runtime:13m
  • Genres: Documentary ·
  • Countries of origin: Italy ·
  • Original Language: Spanish ·
  • Director: Desiderio Sanzi /
  • Writers:
  • Production companies: ElectroWish Production ·
  • Overview:I Like to Dream: The True Story of Felipe Cardeña (Short film), shot by the artist Desiderio, shows us Felipe, as a mime walking through the streets of Havana, through the cross-over testimonies of many people who knew or heard of him: street mimes like him, but also bartenders, street vendors, street people, as well as the famous Cuban writer Yoss, author of an essay on the artist. A hybrid film, halfway between the journalistic documentary and the dreamlike and symbolic reconstruction of the work of Cardeña, the film reconstructs Felipe’s passage through the streets of Havana, through witnesses, but also through Felipe’s performances (such as the large floral poster, with Che’s face, still hanging in a street in Old Havana), the suggestions of his works, his dreamlike atmospheres and colors.
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