Song of Autumn

Song of Autumn

Release date : January 1, 1983
Runtime : 1h 40m
Countries of origin : Algeria /
Original Language : Arabic / French /
Director : Mohamed Meziane Yala /
Writers : Mohamed Meziane Yala /
Production companies : Office National pour le Commerce et l'Industrie Cinématographique (ONCIC) /
January 1, 1983 1h 40m Algeria Drama Arabic More
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Overview

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.
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  • title:Song of Autumn
  • status:Released
  • Release date: 1983
  • Runtime:1h 40m
  • Genres: Drama · War · History ·
  • Countries of origin: Algeria ·
  • Original Language: Arabic · French ·
  • Director: Mohamed Meziane Yala /
  • Writers: Mohamed Meziane Yala ·
  • Production companies: Office National pour le Commerce et l'Industrie Cinématographique (ONCIC) ·
  • Overview:Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.
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