The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde

The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde

Release date : November 14, 1984
Runtime : 2h 15m
Countries of origin : Austria /
Original Language : German /
Director : Zoltán Sándor Pataky /
Writers : Valie Export /
Production companies : ORF /
November 14, 1984 2h 15m Austria Documentary German More
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In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.
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  • title:The Armed Eye – VALIE EXPORT in a Dialogue with the Film Avant-Garde
  • status:Released
  • Release date: 1984
  • Runtime:2h 15m
  • Genres: Documentary · TV Movie ·
  • Countries of origin: Austria ·
  • Original Language: German ·
  • Director: Zoltán Sándor Pataky /
  • Writers: Valie Export ·
  • Production companies: ORF ·
  • Overview:In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.
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