Cabaret Crusades: The Horror Show Files

Cabaret Crusades: The Horror Show Files

Release date : December 1, 2015
Runtime : 32m
Countries of origin : Egypt /
Original Language :
Director : Wael Shawky /
Writers :
Production companies :
December 1, 2015 32m Egypt Animation More
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Wael Shawky’s epic marionette animation film offers a view on the history of the Crusades, retracing events that unfolded over a period of four years (1096-1099) and played a key role in subsequent historical developments, shaking to the core the Arab world and its relations with the West. This horror film of sorts provides a precise description of the places in the Middle East and Europe that formed the backdrop for the early Crusades, following the course of events after a Papal mandate sent half-a-million Franks on a military campaign to ‘reclaim’ Jerusalem from the Muslim armies. To bring these episodes alive, the production uses highly expressive 200-year-old marionettes from the Lupi collection in Turin, dressed in costumes of the Christian and Muslim armies of the time, allowing viewers to momentarily suspend disbelief and immerse themselves in a tragic history, distant in time but not effect.
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  • title:Cabaret Crusades: The Horror Show Files
  • status:Released
  • Release date: 2015
  • Runtime:32m
  • Genres: Animation ·
  • Countries of origin: Egypt ·
  • Original Language:
  • Director: Wael Shawky /
  • Writers:
  • Production companies:
  • Overview:Wael Shawky’s epic marionette animation film offers a view on the history of the Crusades, retracing events that unfolded over a period of four years (1096-1099) and played a key role in subsequent historical developments, shaking to the core the Arab world and its relations with the West. This horror film of sorts provides a precise description of the places in the Middle East and Europe that formed the backdrop for the early Crusades, following the course of events after a Papal mandate sent half-a-million Franks on a military campaign to ‘reclaim’ Jerusalem from the Muslim armies. To bring these episodes alive, the production uses highly expressive 200-year-old marionettes from the Lupi collection in Turin, dressed in costumes of the Christian and Muslim armies of the time, allowing viewers to momentarily suspend disbelief and immerse themselves in a tragic history, distant in time but not effect.
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