Volumetric Interviews: Now You See Me Moria

Volumetric Interviews: Now You See Me Moria

Release date :
Runtime : 45m
Countries of origin :
Original Language : English /
Director : Park Soyun /
Writers :
Production companies :
45m Documentary English More
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Years after a fire burned down the infamous Moria camp in 2020, the living situation of refugees in Greece is still dire. Noemí, the Spanish photographer, shares the story of the Instagram project Now You See Me Moria, which she initiated with Amir, an Afghan refugee in Moria. Determined to change the often one-dimensional media portrayal of refugees and raise awareness of human rights violations, Now You See Me Moria depicts the daily lives of refugees through their eyes. Volumetric Interviews follows their memories with Noemí and transforms the videos recorded inside the refugee camps into 3D landscapes, bringing Noemí and the interviewer digitally to the camps. Through the inherently limited view resulting from the cameras’ perspective from the original videos, Volumetric Interviews challenges the limitations of information in humanitarian crises.
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  • title:Volumetric Interviews: Now You See Me Moria
  • status:In Production
  • Release date: Upcoming
  • Runtime:45m
  • Genres: Documentary ·
  • Countries of origin:
  • Original Language: English ·
  • Director: Park Soyun /
  • Writers:
  • Production companies:
  • Overview:Years after a fire burned down the infamous Moria camp in 2020, the living situation of refugees in Greece is still dire. Noemí, the Spanish photographer, shares the story of the Instagram project Now You See Me Moria, which she initiated with Amir, an Afghan refugee in Moria. Determined to change the often one-dimensional media portrayal of refugees and raise awareness of human rights violations, Now You See Me Moria depicts the daily lives of refugees through their eyes. Volumetric Interviews follows their memories with Noemí and transforms the videos recorded inside the refugee camps into 3D landscapes, bringing Noemí and the interviewer digitally to the camps. Through the inherently limited view resulting from the cameras’ perspective from the original videos, Volumetric Interviews challenges the limitations of information in humanitarian crises.
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