Miró, l’altre

Miró, l’altre

Release date : January 1, 1969
Runtime : 15m
Countries of origin : Spain /
Original Language : No Language /
Director : Pere Portabella /
Writers : Pere Portabella /
Production companies : Colegio de Arquitectos de Cataluña /
January 1, 1969 15m Spain Documentary No Language More
4.2
User Score

Overview

As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.
More »

Top Billed Cast

More

Recommendations

More
Cat Ballou
Western Comedy
Fate/stay night: Heaven's Feel II. Lost Butterfly
Animation Action Fantasy Drama Romance
The Presidio
Action Crime Mystery Thriller
Chopping Mall
Horror Science Fiction
Knives Out
Comedy Crime Mystery
Space Buddies
Comedy Adventure Drama Family
Nosferatu
Horror Fantasy
Kung Fu Panda 4
Animation Family Action Comedy
The Imaginary
Animation Adventure Drama Family Fantasy
  • title:Miró, l’altre
  • status:Released
  • Release date: 1969
  • Runtime:15m
  • Genres: Documentary ·
  • Countries of origin: Spain ·
  • Original Language: No Language ·
  • Director: Pere Portabella /
  • Writers: Pere Portabella ·
  • Production companies: Colegio de Arquitectos de Cataluña ·
  • Overview:As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.
Search history
delete
Popular search