Kein Licht

Kein Licht

Release date : August 25, 2017
Runtime : 2h 13m
Countries of origin : Germany /
Original Language :
Director : Nicolas Stemann /
Production companies : Ruhrtriennale /
August 25, 2017 2h 13m Germany Music More
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Two particles wander through space. Two particles? Perhaps they are also two musicians: the first and second violins. An absurd scenario. Voices A and B speak to each other, but they can't hear each other ... Without the words Fukushima or nuclear power being mentioned even once, “Kein Licht. (2011/2012/2017)” depicts a ghostly world after the nuclear disaster. The text by Elfriede Jelinek becomes the libretto of a world premiere musical performance at the Ruhrtriennale. Frenchman Philippe Manoury is composing a new musical theater work for actors, singers and a musical ensemble. The special feature: The music itself also becomes an uncontrollable element. Together with director Nicolas Stemann, Manoury is developing a new form in which pre-composed orchestral and electronic score modules are combined with live electronics that intervene in the modulation of the singers and actors - in real time. Music is verbalized and language is musicalized.
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  • title:Kein Licht
  • status:Released
  • Release date: 2017
  • Runtime:2h 13m
  • Genres: Music ·
  • Countries of origin: Germany ·
  • Original Language:
  • Director: Nicolas Stemann /
  • Writers: Philippe Manoury · Elfriede Jelinek ·
  • Production companies: Ruhrtriennale ·
  • Overview:Two particles wander through space. Two particles? Perhaps they are also two musicians: the first and second violins. An absurd scenario. Voices A and B speak to each other, but they can't hear each other ... Without the words Fukushima or nuclear power being mentioned even once, “Kein Licht. (2011/2012/2017)” depicts a ghostly world after the nuclear disaster. The text by Elfriede Jelinek becomes the libretto of a world premiere musical performance at the Ruhrtriennale. Frenchman Philippe Manoury is composing a new musical theater work for actors, singers and a musical ensemble. The special feature: The music itself also becomes an uncontrollable element. Together with director Nicolas Stemann, Manoury is developing a new form in which pre-composed orchestral and electronic score modules are combined with live electronics that intervene in the modulation of the singers and actors - in real time. Music is verbalized and language is musicalized.
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