The Catastrophe

The Catastrophe

Release date : January 1, 1971
Runtime : 10m
Countries of origin : Romania /
Original Language : Romanian /
Director : Constantin Vaeni /
Production companies : Sahia Film /
January 1, 1971 10m Romania Comedy Romanian More
0
User Score

Overview

This is one of hundreds of so-called „ephemeral” films produced by the documentary studio in the wake of serious accidents on Romania’s roads. As was always the case in such films, the guilty party is the driver himself – one of the aims of this category of film was to assign unequivocal guilt. Yet, what makes this coarse lesson, brought to life by actors and non-professionals, more relevant today than it was at the time of its production is its ability to capture more than the event itself and thereby to provide us with a glimpse of the period in which it was produced.
More »

Top Billed Cast

More

Recommendations

More
Holland
Thriller Mystery
Snow White
Family Fantasy
A Working Man
Action Crime Thriller
Mufasa: The Lion King
Adventure Family Animation
Mickey 17
Science Fiction Comedy Adventure
The Monkey
Horror Comedy
The Electric State
Science Fiction Adventure Action
A Minecraft Movie
Family Comedy Adventure Fantasy
Companion
Comedy Horror Science Fiction Thriller
The Life List
Romance Comedy Drama
Novocaine
Action Comedy Thriller
Captain America: Brave New World
Action Thriller Science Fiction
Cleaner
Action Thriller
The Substance
Horror Science Fiction
Flow
Animation Fantasy Adventure
Moana 2
Animation Adventure Family Comedy
Carjackers
Action Adventure
Last Breath
Thriller Drama
  • title:The Catastrophe
  • status:Released
  • Release date: 1971
  • Runtime:10m
  • Genres: Comedy · Documentary ·
  • Countries of origin: Romania ·
  • Original Language: Romanian ·
  • Director: Constantin Vaeni /
  • Writers: Constantin Vaeni · Gabriel Barta ·
  • Production companies: Sahia Film ·
  • Overview:This is one of hundreds of so-called „ephemeral” films produced by the documentary studio in the wake of serious accidents on Romania’s roads. As was always the case in such films, the guilty party is the driver himself – one of the aims of this category of film was to assign unequivocal guilt. Yet, what makes this coarse lesson, brought to life by actors and non-professionals, more relevant today than it was at the time of its production is its ability to capture more than the event itself and thereby to provide us with a glimpse of the period in which it was produced.
Search history
delete
Popular search