Mozart: Le Nozze di Figaro

Mozart: Le Nozze di Figaro

Release date : February 17, 2006
Runtime : 3h 4m
Countries of origin : United Kingdom /
Original Language : Italian /
Director : Jonathan Haswell /
Writers : Lorenzo da Ponte /
Production companies : Royal Opera House /
February 17, 2006 3h 4m United Kingdom Music Italian More
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Overview

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
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  • title:Mozart: Le Nozze di Figaro
  • status:Released
  • Release date: 2006
  • Runtime:3h 4m
  • Genres: Music ·
  • Countries of origin: United Kingdom ·
  • Original Language: Italian ·
  • Director: Jonathan Haswell /
  • Writers: Lorenzo da Ponte ·
  • Production companies: Royal Opera House ·
  • Overview:David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
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