O Rei do Baralho

O Rei do Baralho

Release date : November 3, 1975
Runtime : 1h 21m
Countries of origin : Brazil /
Original Language : Portuguese /
Director : Júlio Bressane /
Writers :
Production companies : Julio Bressane Produções Cinematográficas /
November 3, 1975 1h 21m Brazil Comedy Portuguese More
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Overview

In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
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Top Billed Cast

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Grande Otelo
Rei do Baralho
Wilson Grey
Gambler
Fininho
Gambler
Cauê Filho
Gambler
Elisa
Segunda Loira

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  • title:O Rei do Baralho
  • status:Released
  • Release date: 1975
  • Runtime:1h 21m
  • Genres: Comedy ·
  • Countries of origin: Brazil ·
  • Original Language: Portuguese ·
  • Director: Júlio Bressane /
  • Writers:
  • Production companies: Julio Bressane Produções Cinematográficas ·
  • Overview:In a movie studio, the actors are getting made up and the crew is waiting to begin shooting the film. Grande Otelo, the bungling "king of the deck", and Marta Anderson, the blond and provocative star of the show, recite in the historical scenario of the chanchadas, the abandoned studios of Cinédia. "The photography is splendid, it is a sort of parallel song, of critique, of parody, of understanding of a certain light typical of Brazilian cinema of the times, already re-created, already stylized. And with the older actors, Otelo, Lewgoy and the others, something very important happened in the artistic perception, seeing again, doing again, it was already a concrete metalanguage" (J. Bressane).
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