The Madness and Misadventures of Munchausen

The Madness and Misadventures of Munchausen

Release date : April 8, 2008
Runtime : 1h 13m
Countries of origin : United States of America /
Original Language : English /
Director : Constantine Nasr /
Writers :
Production companies : New Wave Entertainment /
April 8, 2008 1h 13m United States of America Documentary English More
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Overview

This is an all new feature length documentary, with interviews from almost everyone involved with the production of the film. Gilliam never shies away from the truth, even when it comes to himself, and so this documentary is self-effacing and refreshingly frank. The documentary details not only the battles Gilliam had with Columbia in getting the film finished and released, but also the imagination and innovation that went into the production.
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Top Billed Cast

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Terry Gilliam
Self - Director & Writer
Charles McKeown
Self - Co-Writer & 'Adolphus'
Jonathan Pryce
Self / Horatio Jackson
Eric Idle
Self - 'Berthold'
Thomas Schühly
Self - Producer
Steve Abbott
Self - Executive Producer, Prominent Features
David V. Picker
Self - Former President, Columbia Pictures
Richard Soames
Self - President, Film Finances
Dante Ferretti
Self - Production Designer
Lee Cleary
Self - First Assistant Director
John Neville
Self - 'Baron Munchausen'
Margery Simkin
Self - US Casting Director
Sarah Polley
Self - 'Sally Salt'
Bill Paterson
Self - 'Henry Salt'
Irene Lamb
Self - UK Casting Director
Peter Hollywood
Self - Editor
Joyce Herlihy
Self - Production Executive

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  • title:The Madness and Misadventures of Munchausen
  • status:Released
  • Release date: 2008
  • Runtime:1h 13m
  • Genres: Documentary ·
  • Countries of origin: United States of America ·
  • Original Language: English ·
  • Director: Constantine Nasr /
  • Writers:
  • Production companies: New Wave Entertainment ·
  • Overview:This is an all new feature length documentary, with interviews from almost everyone involved with the production of the film. Gilliam never shies away from the truth, even when it comes to himself, and so this documentary is self-effacing and refreshingly frank. The documentary details not only the battles Gilliam had with Columbia in getting the film finished and released, but also the imagination and innovation that went into the production.
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