Baixo Gávea

Baixo Gávea

Release date : January 1, 1986
Runtime : 1h 50m
Countries of origin : Brazil /
Original Language : Portuguese /
Production companies : Haroldo Marinho Barbosa Filmes / Embrafilme /
January 1, 1986 1h 50m Brazil Drama Portuguese More
5.2
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Overview

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.
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Top Billed Cast

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Louise Cardoso
Ana /Mário de Sá Carneiro
Carlos Gregório
Rui / Fernando Pessoa
José Wilker
Maluco da bomba
Carlos Wilson
Trindade
Wilson Grey
Wilson
Lyscia Braga
Lucinha
Odilon Wagner
Analista
Analú Prestes
Esposa de Rui
Dirce Migliaccio
Mãe de Clara

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  • title:Baixo Gávea
  • status:Released
  • Release date: 1986
  • Runtime:1h 50m
  • Genres: Drama ·
  • Countries of origin: Brazil ·
  • Original Language: Portuguese ·
  • Director: Haroldo Marinho Barbosa /
  • Writers: Haroldo Marinho Barbosa ·
  • Production companies: Haroldo Marinho Barbosa Filmes · Embrafilme ·
  • Overview:Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.
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