Heart, Beating in the Dark

Heart, Beating in the Dark

Release date : October 2, 2005
Runtime : 1h 44m
Countries of origin : Japan /
Original Language : Japanese /
Director : Shunichi Nagasaki /
Writers : Shunichi Nagasaki /
Production companies : Office Shirous / Bandai Visual /
October 2, 2005 1h 44m Japan Drama Japanese More
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Overview

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
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  • title:Heart, Beating in the Dark
  • status:Released
  • Release date: 2005
  • Runtime:1h 44m
  • Genres: Drama ·
  • Countries of origin: Japan ·
  • Original Language: Japanese ·
  • Director: Shunichi Nagasaki /
  • Writers: Shunichi Nagasaki ·
  • Production companies: Office Shirous · Bandai Visual ·
  • Overview:This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
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