National Theatre Live: The Habit of Art

National Theatre Live: The Habit of Art

Release date : April 22, 2010
Runtime : 2h 25m
Countries of origin : United Kingdom /
Original Language : English /
Director : Robin Lough / Nicholas Hytner /
Writers : Alan Bennett /
Production companies : National Theatre /
April 22, 2010 2h 25m United Kingdom Drama English More
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Overview

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
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Top Billed Cast

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Richard Griffiths
Fitz / W. H. Auden
Alex Jennings
Henry / Benjamin Britten
Stephen Wight
Tim / Stuart
Adrian Scarborough
Donald / Humphrey Carpenter

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  • title:National Theatre Live: The Habit of Art
  • status:Released
  • Release date: 2010
  • Runtime:2h 25m
  • Genres: Drama · Comedy ·
  • Countries of origin: United Kingdom ·
  • Original Language: English ·
  • Director: Robin Lough / Nicholas Hytner /
  • Writers: Alan Bennett ·
  • Production companies: National Theatre ·
  • Overview:National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
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