The Cinderella Effect

The Cinderella Effect

Release date : July 1, 2012
Runtime : 26m
Countries of origin :
Original Language : English /
Director : Shane Morton /
Writers : Jody Newman /
Production companies :
July 1, 2012 26m Music English More
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Overview

Randall Grimm has arrived in Los Angeles in search of his very own happy ending. Within moments of arriving, however, Randall is thrust into the very high-pressure networking atmosphere of a local LGBTQ film festival that his friend insists on attending. Awkward and out-of-place, Randall holds fast to the notion that Hollywood produces its very own happy endings. Soon, he imagines the high-pressure after-party to become the all-too-familiar royal ball of a fairytale; the cynical partygoers adopt the characteristics of evil stepsisters, and Prince Charming exists in the body of a Hollywood Leading Man. However, no Cinderella story can exist without a Fairy Godmother, and Randall deconstructs his happy-ever-after notions so he can discover that the only thing real in Hollywood is the FINAL REEL of whatever genre we write for ourselves.
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  • title:The Cinderella Effect
  • status:Released
  • Release date: 2012
  • Runtime:26m
  • Genres: Music ·
  • Countries of origin:
  • Original Language: English ·
  • Director: Shane Morton /
  • Writers: Jody Newman ·
  • Production companies:
  • Overview:Randall Grimm has arrived in Los Angeles in search of his very own happy ending. Within moments of arriving, however, Randall is thrust into the very high-pressure networking atmosphere of a local LGBTQ film festival that his friend insists on attending. Awkward and out-of-place, Randall holds fast to the notion that Hollywood produces its very own happy endings. Soon, he imagines the high-pressure after-party to become the all-too-familiar royal ball of a fairytale; the cynical partygoers adopt the characteristics of evil stepsisters, and Prince Charming exists in the body of a Hollywood Leading Man. However, no Cinderella story can exist without a Fairy Godmother, and Randall deconstructs his happy-ever-after notions so he can discover that the only thing real in Hollywood is the FINAL REEL of whatever genre we write for ourselves.
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