Harlem

Harlem

Release date : April 21, 1943
Runtime : 1h 53m
Countries of origin : Italy /
Original Language : Italian /
Director : Carmine Gallone /
Production companies : Cines /
April 21, 1943 1h 53m Italy Drama Italian More
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Overview

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.
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Top Billed Cast

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Massimo Girotti
Tommaso Rossi
Amedeo Nazzari
Amedeo Rossi
Vivi Gioi
Muriel
Elisa Cegani
Gangster woman
Osvaldo Valenti
Chris Sherman
Erminio Spalla
Franckie Battaglia, the coach

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  • title:Harlem
  • status:Released
  • Release date: 1943
  • Runtime:1h 53m
  • Genres: Drama ·
  • Countries of origin: Italy ·
  • Original Language: Italian ·
  • Director: Carmine Gallone /
  • Writers: Giuseppe Achille · Pietro Petroselli · Guido Angeli · Emilio Cecchi · Sergio Amidei ·
  • Production companies: Cines ·
  • Overview:This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.
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