Bond: Live at the Royal Albert Hall

Bond: Live at the Royal Albert Hall

Release date : January 1, 2001
Runtime : 1h 1m
Countries of origin : United Kingdom /
Original Language : English /
Director : Mike Mansfield /
Writers :
Production companies : Decca / Mike Mansfield Enterprises Ltd. /
January 1, 2001 1h 1m United Kingdom Music English More
6.5
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Overview

Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.
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Top Billed Cast

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Eos Chater
Second Violin
Haylie Ecker
First Violin
Ben Marvin
Guitar
John McKenzie
Bass Guitar
Carlos Edwards
Percussion
Michael Martin
Keyboards

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  • title:Bond: Live at the Royal Albert Hall
  • status:Released
  • Release date: 2001
  • Runtime:1h 1m
  • Genres: Music ·
  • Countries of origin: United Kingdom ·
  • Original Language: English ·
  • Director: Mike Mansfield /
  • Writers:
  • Production companies: Decca · Mike Mansfield Enterprises Ltd. ·
  • Overview:Filmed at their Royal Albert Hall debut gig in September 2000, Bond Live is a slick showcase for four classically trained, ex-session musicians and their fusion of string quartet and rock music. Whatever the hype (four beautiful women wearing scanty tops and dancing with violins while backed by a five-piece rock combo and a small, rarely seen string section), it has nothing to do with making classical music cool and everything to do with sex. In "Duel," first and second violins Haylie Ecker and Eos trade licks "guitar-hero" style, and most of the tracks are new instrumentals written for the album Born, though "The 1812" does manage to reduce Tchaikovsky's overture to a five-minute dance number. With rock-show lighting, synthesizers, dance beats, and a finale involving the "James Bond Theme" followed by a Rio-style fiesta for the closing "Victory--Carnival Mix," this is camp, melodramatic, sexy fun.
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