Censored without Censorship

Censored without Censorship

Release date : March 2, 2007
Runtime : 57m
Countries of origin : Serbia /
Original Language : Serbian /
Production companies : Art & Popcorn /
March 2, 2007 57m Serbia Documentary Serbian More
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Overview

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
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  • title:Censored without Censorship
  • status:Released
  • Release date: 2007
  • Runtime:57m
  • Genres: Documentary ·
  • Countries of origin: Serbia ·
  • Original Language: Serbian ·
  • Director: Dinko Tucaković / Milan Nikodijević /
  • Writers: Milan Nikodijević · Dinko Tucaković ·
  • Production companies: Art & Popcorn ·
  • Overview:Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
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