Paradise View

Paradise View

Release date : April 13, 1985
Runtime : 1h 53m
Countries of origin : Japan /
Original Language : Japanese /
Director : Gō Takamine /
Writers : Gō Takamine /
Production companies :
April 13, 1985 1h 53m Japan Comedy Japanese More
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Overview

Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
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  • title:Paradise View
  • status:Released
  • Release date: 1985
  • Runtime:1h 53m
  • Genres: Comedy · Drama ·
  • Countries of origin: Japan ·
  • Original Language: Japanese ·
  • Director: Gō Takamine /
  • Writers: Gō Takamine ·
  • Production companies:
  • Overview:Go Takamine's first theatrical feature is a pioneering work of Okinawan cinema, filmed almost entirely in Okinawan dialect. Taking place shortly before the resumption of Japanese sovereignty over Okinawa, Takamine’s film tacitly addresses the island prefecture's complicated history of occupation and feelings of dislocation through the story of a small community and its preparations for a wedding between a local girl and a Japanese teacher. On the periphery of these events is Reishu (Kaoru Kobayashi), who quits his job on a US military base and uses the extra time to catch snakes and play with ants – and get the bride-to-be pregnant. Takamine’s leisurely-paced film is full of uniquely Okinawan touches that mix in aspects of the island's folklore, accompanied by Haruomi Hosono’s spare and evocative score.
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