I Was in Lisbon and Remembered You

I Was in Lisbon and Remembered You

Release date : October 25, 2015
Runtime : 1h 34m
Countries of origin : Brazil / Portugal /
Original Language : Portuguese /
Director : José Barahona /
Production companies : David & Golias / Mutuca Filmes / Refinaria Filmes /
October 25, 2015 1h 34m Brazil Drama Portuguese More
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Overview

"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona
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  • title:I Was in Lisbon and Remembered You
  • status:Released
  • Release date: 2015
  • Runtime:1h 34m
  • Genres: Drama ·
  • Countries of origin: Brazil · Portugal ·
  • Original Language: Portuguese ·
  • Director: José Barahona /
  • Writers: Luiz Ruffato · José Barahona ·
  • Production companies: David & Golias · Mutuca Filmes · Refinaria Filmes ·
  • Overview:"In the beginning of this project, I wanted to do a documentary film based on this book by Luiz Ruffato. However, I ended up doing a feature film with many links to documentary. I wanted to know what made Brazilians want to emigrate to Portugal. I chose working with amateur actors and non-actors in both cities, so their own life stories and experiences could be in the film. I did the other way round from the writer. He found these people and made them characters of his book. I looked for people who had similar stories to those described in the book, and made them characters of my film. When I read the book, I was seduced by its "false documentary" characteristic. The book was all written as if it was the transcription of an oral interview the writer had done in Lisbon. I decided to keep this narrative in the film, by a narration with the main character talking to the camera. It's a film about emigration. About dreams and disappointments," says Barahona
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