Paul Dessau

Paul Dessau

Release date : August 10, 1967
Runtime : 30m
Countries of origin : East Germany / Germany /
Original Language : German /
Director : Richard Cohn-Vossen /
Writers : Richard Cohn-Vossen /
Production companies : DEFA-Studio für Wochenschau und Dokumentarfilme /
August 10, 1967 30m East Germany Documentary German More
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Overview

The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.
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  • title:Paul Dessau
  • status:Released
  • Release date: 1967
  • Runtime:30m
  • Genres: Documentary ·
  • Countries of origin: East Germany · Germany ·
  • Original Language: German ·
  • Director: Richard Cohn-Vossen /
  • Writers: Richard Cohn-Vossen ·
  • Production companies: DEFA-Studio für Wochenschau und Dokumentarfilme ·
  • Overview:The film’s subtitle identifies it as a “study of the constructive discontent of a composer”. It is a portrait of the pugnacious musician Paul Dessau (1894 – 1979), who was controversial in East Germany, as a teacher. It follows the composer as he rehearses the “Bach Variations” with the Berlin state opera orchestra, as well during classes at the Polytechnic School I in Zeuthen, where he strives to teach the students a critical attitude. In an interview, Dessau bemoans the simplification of artistic media and elucidates the meaning and necessity of “hard sounds in an era that is not soft”. As we see when he works, “pleasure requires effort” … “art is never comfortable. Building socialism is not comfortable at all. That’s why I’m in favour of the uncomfortable”.
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