I Puritani

I Puritani

Release date : November 22, 2007
Runtime : 2h 29m
Countries of origin :
Original Language : Italian /
Director : Sandro Sequi /
Writers :
Production companies : Deutsche Grammophon /
November 22, 2007 2h 29m Italian More
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Overview

It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.
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Top Billed Cast

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Eric Cutler
Lord Arturo Talbo
John Relyea
Sir Giorgio
Valerian Ruminski
Lord Gualtiero Valton
Franco Vassallo
Sir Riccardo Forth
Maria Zifchak
Enrichetta di Francia
Eduardo Valdes
Sir Bruno Roberton
Patrick Summers
Conductor

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  • title:I Puritani
  • status:Released
  • Release date: 2007
  • Runtime:2h 29m
  • Genres:
  • Countries of origin:
  • Original Language: Italian ·
  • Director: Sandro Sequi /
  • Writers:
  • Production companies: Deutsche Grammophon ·
  • Overview:It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.
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