Love Meetings

Love Meetings

Release date : July 5, 1965
Runtime : 1h 28m
Countries of origin : Italy /
Original Language : Italian /
Director : Pier Paolo Pasolini /
Writers :
Production companies : Arco Film /
Revenue : $2,248.00
July 5, 1965 1h 28m Italy Documentary Italian More
8.3
User Score

Overview

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
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Top Billed Cast

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Pier Paolo Pasolini
Self - Interviewer (uncredited)
Lello Bersani
Narrator (voice)
Alberto Moravia
Self - Writer
Cesare Musatti
Self - Psychoanalyst
Peppino Di Capri
Self - Singer
Ezio Pascutti
Self - Football Player
William Negri
Self - Football Player
Carlo Furlanis
Self - Football Player
Giuseppe Ungaretti
Self - Poet
Camilla Cederna
Self - Writer
Oriana Fallaci
Self - Journalist
Adele Cambria
Self - Journalist
Antonella Lualdi
Self - Actress
Ignazio Buttitta
Self - Poet
Io Appolloni
Self - Girl at Lido with Swimming Cap (uncredited)
Graziella Chiarcossi
Graziella the Bride (uncredited)
Graziella Granata
Self - Girl at Lido with Long Hair (uncredited)

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  • title:Love Meetings
  • status:Released
  • Release date: 1965
  • Runtime:1h 28m
  • Genres: Documentary ·
  • Countries of origin: Italy ·
  • Original Language: Italian ·
  • Director: Pier Paolo Pasolini /
  • Writers:
  • Production companies: Arco Film ·
  • Revenue:$2,248.00
  • Overview:Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.
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