Angela Davis: Portrait of a Revolutionary

Angela Davis: Portrait of a Revolutionary

Release date : January 13, 1972
Runtime : 1h
Countries of origin : United States of America /
Original Language : English /
Director : Yolande du Luart /
Writers : Yolande du Luart /
Production companies : New American Film Makers Series / Whitney Museum of American Art, New York, NY /
January 13, 1972 1h United States of America Documentary English More
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"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center
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  • title:Angela Davis: Portrait of a Revolutionary
  • status:Released
  • Release date: 1972
  • Runtime:1h
  • Genres: Documentary ·
  • Countries of origin: United States of America ·
  • Original Language: English ·
  • Director: Yolande du Luart /
  • Writers: Yolande du Luart ·
  • Production companies: New American Film Makers Series · Whitney Museum of American Art, New York, NY ·
  • Overview:"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center
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