Fluidø

Fluidø

Release date : February 14, 2017
Runtime : 1h 20m
Countries of origin : Germany /
Original Language : English / French /
Director : Shu Lea Cheang /
Writers :
Production companies : Amard Bird Films / Jürgen Brüning Filmproduktion /
February 14, 2017 1h 20m Germany Science Fiction English More
4.7
User Score

Overview

It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.
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  • title:Fluidø
  • status:Released
  • Release date: 2017
  • Runtime:1h 20m
  • Genres: Science Fiction ·
  • Countries of origin: Germany ·
  • Original Language: English · French ·
  • Director: Shu Lea Cheang /
  • Writers:
  • Production companies: Amard Bird Films · Jürgen Brüning Filmproduktion ·
  • Overview:It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.
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