Mama Colonel

Mama Colonel

Release date : February 13, 2017
Runtime : 1h 12m
Countries of origin : Congo / France /
Original Language : Lingala / Swahili / French /
Director : Dieudo Hamadi /
Writers : Dieudo Hamadi /
Production companies :
February 13, 2017 1h 12m Congo Documentary Lingala More
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Overview

Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
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  • title:Mama Colonel
  • status:Released
  • Release date: 2017
  • Runtime:1h 12m
  • Genres: Documentary ·
  • Countries of origin: Congo · France ·
  • Original Language: Lingala · Swahili · French ·
  • Director: Dieudo Hamadi /
  • Writers: Dieudo Hamadi ·
  • Production companies:
  • Overview:Colonel Honorine Munyole is a robust forty-four-year-old widow and mother of seven young children – four of her own, three adopted. She wields her uniform, beret and black handbag like a protective shield, which her daily work desperately requires. More or less on her own, she runs a small police unit dedicated to protecting women who’ve been raped and children who’ve suffered abuse in the war-plagued regions of the Congo. At the start of Maman Colonelle, she’s transferred from Bukavu to Kisangani, arriving only to discover her future home and office in a desolate state. While she deals with such practical obstacles with suitable feistiness, the traumas and social deformities of the people around her have nightmarish dimensions: the envy surrounding those with state-recognised ‘victim’ status, hope for help from the ‘whites’, depression, helplessness.
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