Liberty and Homeland

Liberty and Homeland

Release date : August 1, 2002
Runtime : 21m
Countries of origin : Switzerland /
Original Language : French /
Production companies : Vega Film / Périphéria /
August 1, 2002 21m Switzerland French More
5.7
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Overview

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.
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Jean-Pierre Gos
Narrator (voice)
Geneviève Pasquier
Narrator (voice)

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  • title:Liberty and Homeland
  • status:Released
  • Release date: 2002
  • Runtime:21m
  • Genres:
  • Countries of origin: Switzerland ·
  • Original Language: French ·
  • Director: Jean-Luc Godard / Anne-Marie Miéville /
  • Writers: Jean-Luc Godard · Anne-Marie Miéville ·
  • Production companies: Vega Film · Périphéria ·
  • Overview:The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.
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