The Metropolitan Opera: L’Amour de Loin

The Metropolitan Opera: L’Amour de Loin

Release date : December 10, 2016
Runtime : 2h 10m
Countries of origin :
Original Language : English / French /
Director : Robert Lepage / Gary Halvorson /
Writers : Amin Maalouf /
Production companies : The Metropolitan Opera /
December 10, 2016 2h 10m Music English More
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Overview

Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
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Tamara Mumford
The Pilgrim
Eric Owens
Jaufré Rudel
Deborah Voigt
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  • title:The Metropolitan Opera: L’Amour de Loin
  • status:Released
  • Release date: 2016
  • Runtime:2h 10m
  • Genres: Music ·
  • Countries of origin:
  • Original Language: English · French ·
  • Director: Robert Lepage / Gary Halvorson /
  • Writers: Amin Maalouf ·
  • Production companies: The Metropolitan Opera ·
  • Overview:Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
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