The King of Kings

The King of Kings

Release date : April 19, 1927
Runtime : 2h 35m
Countries of origin : United States of America /
Original Language : No Language /
Director : Cecil B. DeMille /
Production companies : DeMille Pictures Corporation /
Budget : $1,265,000.00
Revenue : $2,640,000.00
April 19, 1927 2h 35m United States of America Drama No Language More
6.5
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Overview

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
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Top Billed Cast

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H.B. Warner
Jesus, The Christ
Dorothy Cumming
Mary, the Mother
Joseph Schildkraut
Judas Iscariot
James Neill
James - Brother of John
Joseph Striker
John - the Beloved
Robert Edeson
Matthew - the Publican
Sidney D'Albrook
Thomas, the Doubter
Jacqueline Logan
Mary Magdalene
Victor Varconi
Pontius Pilate - Governor of Judea
Montagu Love
Roman Centurion
William Boyd
Simon Of Cyrene
Julia Faye
Martha
May Robson
Mother of Gestas
Sidney Franklin
(uncredited)
John George
(uncredited)
Rex Ingram
(uncredited)

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  • title:The King of Kings
  • status:Released
  • Release date: 1927
  • Runtime:2h 35m
  • Genres: Drama · History ·
  • Countries of origin: United States of America ·
  • Original Language: No Language ·
  • Director: Cecil B. DeMille /
  • Writers: Jeanie Macpherson · Jeanie Macpherson ·
  • Production companies: DeMille Pictures Corporation ·
  • Budget:$1,265,000.00
  • Revenue:$2,640,000.00
  • Overview:The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
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