Bai Ganyo on His Way to Europe

Bai Ganyo on His Way to Europe

Release date : October 14, 1991
Runtime : 1h 34m
Countries of origin : Bulgaria /
Original Language : Bulgarian /
Director : Ivan Nitchev /
Production companies : Boyana Film /
October 14, 1991 1h 34m Bulgaria Comedy Bulgarian More
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Overview

Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.
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Georgi Kaloyanchev
Бай Ганьо
Stoyan Aleksiev
Щастливеца
Filip Trifonov
Бодков
Leda Taseva
Сестрата на Иречек

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  • title:Bai Ganyo on His Way to Europe
  • status:Released
  • Release date: 1991
  • Runtime:1h 34m
  • Genres: Comedy ·
  • Countries of origin: Bulgaria ·
  • Original Language: Bulgarian ·
  • Director: Ivan Nitchev /
  • Writers: Марко Стойчев ·
  • Production companies: Boyana Film ·
  • Overview:Bay Ganyo is the national anti-hero. He personifies arrogance, insolence, greediness, and the absolute incapability to adopt any civilization principles of relationships. This protagonist was featured by great Bulgarian writer Aleko Konstantinov in the end of 19 c., both with an incredible sense of humor and anguish. Whether being in the Wiener Opera, or visiting a famous scientist at his home, or shopping, or just walking down the streets, this Bulgarian character, Bay Ganyo, is no more than a hopeless barbarian. The film makes new interpretation of this classical literature work. The comic adventures of Baj Ganjo are reconstructed in retro-nostalgic tonality. The final episode when the protagonist appears on the stage of the Wiener Opera among the singers participating in a Mozart's opera is the culmination of the transition of the farce into a tragic comedy.
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