Don Giovanni

Don Giovanni

Release date : January 1, 1977
Runtime : 2h 54m
Countries of origin : United Kingdom /
Original Language : Italian /
Director : Peter Hall /
Writers :
Production companies :
January 1, 1977 2h 54m United Kingdom Music Italian More
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Overview

Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.
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Benjamin Luxon
Don Giovanni (bariton)
Pierre Thau
Commendatore (bass)
Horiana Brănișteanu
Donna Anna (soprano)
Leo Goeke
Don Ottavio (tenor)
Rachel Yakar
Donna Elvira (soprano)
Stafford Dean
Leporello (bass)
John Rawnsley
Masetto (bass)
Elizabeth Gale
Zerlina (soprano)

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  • title:Don Giovanni
  • status:Released
  • Release date: 1977
  • Runtime:2h 54m
  • Genres: Music ·
  • Countries of origin: United Kingdom ·
  • Original Language: Italian ·
  • Director: Peter Hall /
  • Writers:
  • Production companies:
  • Overview:Since its debut in 1934 the Glyndebourne Festival has put a focus on Mozart operas and developed a great competence in staging them. Mozart s operas seem to be made for the small but fine opera house in Glyndebourne and it's not surprising that the 1977 Don Giovanni, one of Mozart's great masterpieces, was a huge success. This production is conducted by Bernard Haitink, who holds the opinion, that no other composer had more opera in his blood than Mozart. It has been proven, for example, that Mozart had no overture for Don Giovanni until the evening before the premiere in Prague and wrote it down in just one night. Like the premiere's success of the opera in Prague in 1787 the Glyndebourne's version staged by Peter Hall was praised by audience and critics alike: We witness a lively and wide-awake ensemble piece that has easily survived all these decades, and still manages to teach many directors the art of playing theatre.
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