FF (aka Fuck Face)

FF (aka Fuck Face)

Release date : January 2, 1986
Runtime : 10m
Countries of origin :
Original Language :
Director : Julie Murray /
Writers :
Production companies :
January 2, 1986 10m More
5.7
User Score

Overview

FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.
More »

Top Billed Cast

More

Images

View All Images

Recommendations

More
FF
Documentary
Puss in Boots
Animation Family Fantasy
Spy
Action Thriller
Khudgarz
Drama Family
  • title:FF (aka Fuck Face)
  • status:Released
  • Release date: 1986
  • Runtime:10m
  • Genres:
  • Countries of origin:
  • Original Language:
  • Director: Julie Murray /
  • Writers:
  • Production companies:
  • Overview:FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.
Search history
delete
Popular search