Gustav Mahler: Symphony No. 2 Resurrection

Gustav Mahler: Symphony No. 2 Resurrection

Release date : April 1, 2007
Runtime : 1h 29m
Countries of origin : Germany /
Original Language : German /
Director : Michael Beyer /
Writers :
Production companies : EuroArts /
April 1, 2007 1h 29m Germany Music German More
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In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.
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  • title:Gustav Mahler: Symphony No. 2 Resurrection
  • status:Released
  • Release date: 2007
  • Runtime:1h 29m
  • Genres: Music ·
  • Countries of origin: Germany ·
  • Original Language: German ·
  • Director: Michael Beyer /
  • Writers:
  • Production companies: EuroArts ·
  • Overview:In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.
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