Twin Kiddies

Twin Kiddies

Release date : May 31, 1916
Runtime : 54m
Countries of origin : United States of America /
Original Language : No Language /
Director : Henry King /
Writers : Calder Johnstone /
Production companies :
May 31, 1916 54m United States of America Drama No Language More
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Overview

In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.
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Marie Osborne
Bessie Hunt/Fay Van Loan
Henry King
Jasper Hunt
Daniel Gilfether
William Van Loan
Ruth Lackaye
Mrs Flannigan
Mignon Le Brun
Governess
R. Henry Grey
Baxter Van Loan
Loretta Beecker
Beatrice Van Loan

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  • title:Twin Kiddies
  • status:Released
  • Release date: 1916
  • Runtime:54m
  • Genres: Drama ·
  • Countries of origin: United States of America ·
  • Original Language: No Language ·
  • Director: Henry King /
  • Writers: Calder Johnstone ·
  • Production companies:
  • Overview:In March 1916, Pathé released a short feature entitled Little Mary Sunshine, starring a four-year-old Marie Osborne. This was one of the first features ever directed by King and it was so successful that Pathé asked the original production company, Balboa, for five more features with the same child wonder. All were produced during the second half of 1916, and only three of them survive today – one being Twin Kiddies, which shows the amazing progress King had made since the first film in the series. Of course, the story is thin, the ending quite abrupt, and the opening sequences rather long. Yet, the direction is much more subtle, alternating between shots of different size, suggesting that King was mastering the art of composition.
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