The Damnation of Faust

The Damnation of Faust

Release date : January 1, 1989
Runtime : 2h 13m
Countries of origin : United Kingdom /
Original Language : French /
Director : Rodney Greenberg /
Production companies :
January 1, 1989 2h 13m United Kingdom Music French More
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Overview

This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.
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Anne Sofie von Otter
Marguerite (mezzosoprano)
Keith Lewis
Faust (tenor)
José van Dam
Mephistopheles (baritono)
Peter Rose
Brander (basso)

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  • title:The Damnation of Faust
  • status:Released
  • Release date: 1989
  • Runtime:2h 13m
  • Genres: Music ·
  • Countries of origin: United Kingdom ·
  • Original Language: French ·
  • Director: Rodney Greenberg /
  • Writers: Almire Gandonnière · Hector Berlioz ·
  • Production companies:
  • Overview:This live recording was made at the Royal Albert Hall during one of Londons famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berliozs concert cantata. This feast of Berlioz launched Soltis farewell tour with the orchestra he had directed for twenty years and was described by The Times as the unsurpassable culmination of two decades of music-making...one that summarised all that has been most admirable about Soltis long reign in Chicago. Like reading the book by flashes of lightning was how one writer described the relationship of Berlioz to Goethe in this Dramatic Legend, his way of shaping twenty scenes selected from the story into a narrative in four parts. Though it has sometimes been staged, the works drama is to be found within the music itself, which illuminates the incidents with what the conductor Sir Thomas Beecham once called a bunch of the loveliest tunes in existence.
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