Poulenc's  The Human Voice / Bartók's Bluebeard's Castle

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Release date : June 1, 2018
Runtime : 2h 1m
Countries of origin : France / Germany /
Original Language : French / Hungarian /
Writers : Béla Balázs / Jean Cocteau /
Production companies : Arthaus Musik / Opéra National de Paris / Telmondis /
June 1, 2018 2h 1m France Music French More
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Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…
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  • title:Poulenc's The Human Voice / Bartók's Bluebeard's Castle
  • status:Released
  • Release date: 2018
  • Runtime:2h 1m
  • Genres: Music · Drama ·
  • Countries of origin: France · Germany ·
  • Original Language: French · Hungarian ·
  • Director: Stéphane Metge / Stéphane Lissner /
  • Writers: Béla Balázs · Jean Cocteau ·
  • Production companies: Arthaus Musik · Opéra National de Paris · Telmondis ·
  • Overview:Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…
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