Threshold

Threshold

Release date : January 1, 2018
Runtime : 10m
Countries of origin :
Original Language : Arabic /
Director : Rania Stephan /
Writers :
Production companies :
January 1, 2018 10m Science Fiction Arabic More
0
User Score

Overview

Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.
More »

Top Billed Cast

More

Images

View All Images

Recommendations

More
The Gorge
Action Thriller Romance
Captain America: Brave New World
Thriller Action Science Fiction
Flight Risk
Action Thriller Crime
Paddington in Peru
Family Adventure Comedy
Nosferatu
Horror Fantasy
Sonic the Hedgehog 3
Action Science Fiction Comedy Family
Ne Zha 2
Animation Fantasy Adventure
La Dolce Villa
Romance Comedy
The Substance
Horror Science Fiction
Ne Zha
Animation Fantasy Adventure
Wicked
Drama Romance Fantasy
Moana 2
Animation Adventure Family Comedy
Anora
Drama Comedy Romance
The Order
Crime Drama Thriller
Wolf Man
Horror Thriller
  • title:Threshold
  • status:Released
  • Release date: 2018
  • Runtime:10m
  • Genres: Science Fiction ·
  • Countries of origin:
  • Original Language: Arabic ·
  • Director: Rania Stephan /
  • Writers:
  • Production companies:
  • Overview:Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.
Search history
delete
Popular search