I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

Release date : October 27, 1976
Runtime : 2h 10m
Countries of origin : France /
Original Language : French /
Director : René Allio /
Production companies : Les Films de l'Arquebuse / Polsim Productions / SFP / INA /
October 27, 1976 2h 10m France Crime French More
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Overview

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.
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Claude Hébert
Pierre Rivière
Jacqueline Milliere
Meme Rivière
Joseph Leportier
Mr. Rivière
François Regnault
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  • title:I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…
  • status:Released
  • Release date: 1976
  • Runtime:2h 10m
  • Genres: Crime · Drama ·
  • Countries of origin: France ·
  • Original Language: French ·
  • Director: René Allio /
  • Writers: Michel Foucault · Pascal Bonitzer · Jean Jourdheuil · Serge Toubiana · René Allio ·
  • Production companies: Les Films de l'Arquebuse · Polsim Productions · SFP · INA ·
  • Overview:Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.
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