Brahms Academic Festival, Tragic Overtures/ Variations on a Theme by Haydn/Serenade No. 2

Brahms Academic Festival, Tragic Overtures/ Variations on a Theme by Haydn/Serenade No. 2

Release date : October 7, 2007
Runtime : 1h 24m
Countries of origin : United States of America /
Original Language : English /
Director : Humphrey Burton /
Writers :
Production companies : Deutsche Grammophon /
October 7, 2007 1h 24m United States of America Music English More
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Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahms' orchestral works with the Wiener Philharmoniker to honour the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Seeing Bernstein enjoying himself while conducting the Vienna Philharmonic in these lighter, familiar works by Brahms added to the pleasure I got from them. The Academic Festival Overture is especially well done. Some conductors don't seem to get it, but Bernstein did.
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  • title:Brahms Academic Festival, Tragic Overtures/ Variations on a Theme by Haydn/Serenade No. 2
  • status:Released
  • Release date: 2007
  • Runtime:1h 24m
  • Genres: Music ·
  • Countries of origin: United States of America ·
  • Original Language: English ·
  • Director: Humphrey Burton /
  • Writers:
  • Production companies: Deutsche Grammophon ·
  • Overview:Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahms' orchestral works with the Wiener Philharmoniker to honour the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Seeing Bernstein enjoying himself while conducting the Vienna Philharmonic in these lighter, familiar works by Brahms added to the pleasure I got from them. The Academic Festival Overture is especially well done. Some conductors don't seem to get it, but Bernstein did.
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