Elaine: A Story of Lost Love

Elaine: A Story of Lost Love

Release date : January 1, 1976
Runtime : 25m
Countries of origin :
Original Language : English /
Director : Andrew Horn / John Meaney /
Writers : Guy de Maupassant /
Production companies :
January 1, 1976 25m English More
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Overview

Adapted from an obscure Guy de Maupassant novella, lifted from a paperback bought by Meaney as an undergrad for 99 cents. What’s evident is Horn’s fascination for squared-off blocking and choreography, including a glimpse at a performance of Orpheus and Eurydice in minature. Star Adam Macadam brought on other members of Charles Ludlam’s Ridiculous Theater Company, many of whom would return to work on DOOMED LOVE. Featuring ancient costumes on loan from the Metropolitan Opera (repurposed from early twentieth century productions of Tosca and La Traviata), ELAINE aspires to high gothic on a shoestring budget. Horn and Meaney shot at locations including the Morris-Jumel Mansion in Washington Heights, the Frick, and the Carnegie Hall Cinema, then operated by Sid Geffen and Jackie Raynal – the programmers responsible for hosting the first-ever New York City screenings of films by Marguerite Duras, an influence on the filmmakers (alongside Daniel Schmid, Douglas Sirk and Alain Resnais.)
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Top Billed Cast

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Adam Macadam
Maupassant
Brien Coleman
Dore Monserrat
Lola Pashalinski
Baroness Peterat
Rene Machado
Orpheus
Bill Gehr
Voice of Ghost
Jack Mallory
Secretary
Georg Osterman
Young Man
Kitty Sandern
Young Lady

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  • title:Elaine: A Story of Lost Love
  • status:Released
  • Release date: 1976
  • Runtime:25m
  • Genres:
  • Countries of origin:
  • Original Language: English ·
  • Director: Andrew Horn / John Meaney /
  • Writers: Guy de Maupassant ·
  • Production companies:
  • Overview:Adapted from an obscure Guy de Maupassant novella, lifted from a paperback bought by Meaney as an undergrad for 99 cents. What’s evident is Horn’s fascination for squared-off blocking and choreography, including a glimpse at a performance of Orpheus and Eurydice in minature. Star Adam Macadam brought on other members of Charles Ludlam’s Ridiculous Theater Company, many of whom would return to work on DOOMED LOVE. Featuring ancient costumes on loan from the Metropolitan Opera (repurposed from early twentieth century productions of Tosca and La Traviata), ELAINE aspires to high gothic on a shoestring budget. Horn and Meaney shot at locations including the Morris-Jumel Mansion in Washington Heights, the Frick, and the Carnegie Hall Cinema, then operated by Sid Geffen and Jackie Raynal – the programmers responsible for hosting the first-ever New York City screenings of films by Marguerite Duras, an influence on the filmmakers (alongside Daniel Schmid, Douglas Sirk and Alain Resnais.)
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