Yes: Close to the Edge

Yes: Close to the Edge

Release date : November 13, 2013
Runtime : 38m
Countries of origin :
Original Language : English /
Director :
Writers :
Production companies :
November 13, 2013 38m Music English More
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Overview

Released on November 11th 2013 on Panegyric Recordings, ‘Close to the Edge’ will be the first in a new series of expanded YES editions. In keeping with earlier releases in this series, Steven Wilson’s approach to this album for new stereo & 5.1 mixes is to faithfully retain the spirit & sounds of the original album mix, while applying modern mix techniques to bring further clarity to the individual instrument, vocal & overdubs for each track. The songs, instantly familiar to a multitude of Yes fans, remain so, with the new mixes – especially in 5.1 form – providing a greater sense of space for each voice to be heard, Anderson’s voice seems to join the listener in the room, Howe & Wakeman’s solos glisten with clarity & Bruford/Squire remind all that they were unmatched as a rhythm section during that period.
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Bill Bruford
Drums, Percussion
Steve Howe
Electric and Acoustic Guitars, Vocals
Chris Squire
Bass Guitars, Vocals
Rick Wakeman
Organ, Grand Piano, Mellotron, Synthesizer

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  • title:Yes: Close to the Edge
  • status:Released
  • Release date: 2013
  • Runtime:38m
  • Genres: Music ·
  • Countries of origin:
  • Original Language: English ·
  • Director:
  • Writers:
  • Production companies:
  • Overview:Released on November 11th 2013 on Panegyric Recordings, ‘Close to the Edge’ will be the first in a new series of expanded YES editions. In keeping with earlier releases in this series, Steven Wilson’s approach to this album for new stereo & 5.1 mixes is to faithfully retain the spirit & sounds of the original album mix, while applying modern mix techniques to bring further clarity to the individual instrument, vocal & overdubs for each track. The songs, instantly familiar to a multitude of Yes fans, remain so, with the new mixes – especially in 5.1 form – providing a greater sense of space for each voice to be heard, Anderson’s voice seems to join the listener in the room, Howe & Wakeman’s solos glisten with clarity & Bruford/Squire remind all that they were unmatched as a rhythm section during that period.
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