Fellini of the Spirits

Fellini of the Spirits

Release date : August 31, 2020
Runtime : 1h 30m
Countries of origin : Belgium / France / Italy /
Original Language : English / French / Italian /
Director : Selma Dell'Olio /
Writers : Selma Dell'Olio /
Production companies : Mad Entertainment / Walking The Dog / Cineteca del Comune di Bologna / RAI /
August 31, 2020 1h 30m Belgium Documentary English More
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Overview

2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
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  • title:Fellini of the Spirits
  • status:Released
  • Release date: 2020
  • Runtime:1h 30m
  • Genres: Documentary · Animation ·
  • Countries of origin: Belgium · France · Italy ·
  • Original Language: English · French · Italian ·
  • Director: Selma Dell'Olio /
  • Writers: Selma Dell'Olio ·
  • Production companies: Mad Entertainment · Walking The Dog · Cineteca del Comune di Bologna · RAI ·
  • Overview:2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
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