A discarded plastic suit turned eco-friendly product explores the inter-implications of materiality and paid erotics. The incorporation of erotic movement, mouth work, and plasticized payment complicates overtly simplistic critiques of commerciality, calling for a queer environmental politics that does not demonize money-defined relationships entirely, but rather, works to unravel the greed and destruction of colonialism without forgetting the legitimacy of sex work.
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